Waterjet cut and kilnformed glass
136 x 94 x 7 cm
Waterjet cut and kilnformed glass
136 x 94 x 7 cm
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet cut and kilnformed glass
from a series of works drawn from walks and cycle rides taken during the lockdowns of 2020
2021
Waterjet cut and kilnformed glass
from a series of works drawn from walks and cycle rides taken during the lockdowns of 2020
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
Waterjet cut and kilnformed glass
136 x 94 x 7 cm
Waterjet cut and kilnformed glass
136 x 94 x 7 cm
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet Cut and Kilnformed glass
Installation in The Byre, Latheronwheel, Scotland
in Passage, group exhibition with Bullseye Projects
2021
Waterjet cut and kilnformed glass
from a series of works drawn from walks and cycle rides taken during the lockdowns of 2020
2021
Waterjet cut and kilnformed glass
from a series of works drawn from walks and cycle rides taken during the lockdowns of 2020
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.