Books












Buildings














Portraits












Spatial









Commissions and Collaborations







2018
Screenprinted, fused and polished glass
21 x 15 x 15 cm each
2018
Screenprinted and fused glass
82 x 12 x 22 cm
2018
Screenprinted and fused glass
82 x 12 x 22 cm
2017
Screenprinted, fused and polished glass
100 x 21 x 14 cm
2017
Screenprinted, fused and polished glass
100 x 21 x 14 cm
2017
Screenprinted, fused and polished glass
100 x 21 x 14 cm
2013
Screenprinted and fused glass
104 x 21 x 14 cm
2015
Screenprinted, fused and polished glass
21 x 15 x 5 cm each
2015
Screenprinted, fused and polished glass
21 x 15 x 5 cm each
2016
Screenprinted, fused and polished glass
21 x 15 x 5 cm each
2016
Screenprinted, fused and polished glass
21 x 15 x 5 cm each
2007
Screenprinted and fused glass
21 x 15 x 5 cm
2015
Waterjet cut and kilnformed glass
162 x 74 x 2 cm
Commissioned for the Cheong-Ju International Craft Biennale, an urban ‘portrait’ of Cheong-ju described through its modernist architecture. The artwork is an isometric drawing of the old tobacco factory that was the site for the exhibition.
2013
Waterjet cut and kiln formed glass
120 x 120 x 2 cm
Waterjet cut and kiln formed glass
120 x 120 x 2 cm
2013
Waterjet cut and kiln formed glass
125 x 100 x 2 cm
2013
Waterjet cut and kiln formed glass
125 x 100 x 2 cm
2013
Waterjet cut and kiln formed glass
75 x 75 x 2 cm
2013
Waterjet cut and kiln formed glass
75 x 75 x 2 cm
2013
Waterjet cut and kiln formed glass
75 x 75 x 2 cm
2012
Waterjet cut and fused glass
200 x 104 x 4 cm
Centre, a façade modelled on a historically contested high-rise building in London, is a large-scale cut and assembled glass sculpture consisting of over 4000 unique parts. The innovative process behind the work is the use of waterjet cutting on kilnformed glass to create low relief surfaces, fused together using precisely controlled kiln firing.
2012
Screenprinted, waterjet cut and fused glass
140 x 63 x 4 cm
Estate is a wall-based glass artwork consisting of six stories and 60 window-shaped spaces embedded with found portraits of Northeast England locals. This work uses a technique of cutting and rotating the portraits to be viewed from an angle.
2012
Screenprinted, waterjet cut and fused glass
140 x 63 x 4 cm
Estate is a wall-based glass artwork consisting of six stories and 60 window-shaped spaces embedded with found portraits of Northeast England locals. This work uses a technique of cutting and rotating the portraits to be viewed from an angle.
2012
Screenprinted, fused, waterjet cut and fire polished glass
39 x 140 x 4 cm
Screenprinted, fused, waterjet cut and fire polished glass
39 x 140 x 4 cm
2011
Waterjet cut and fused glass
76 x 56 x 1 cm
2013
Screenprinted and kilnformed glass
100 x 70x 1 cm
2013
Screenprinted and kilnformed glass
100 x 70x 1 cm
2013
Screenprinted and kilnformed glass
100 x 70x 1 cm each
Two lovers, a Filipino bathing beauty and an English body builder, are divided by distance and a beaded glass surface that pixellates each image. Whilst easily readable from a distance, the image breaks up as the viewer approaches each portrait.
2015
screenprinted and fused glass
144 x 90 x 1 cm
Questioning perceptions, the work conflates an eyed hawk-moth with a common blue butterfly, creating a hybrid that oscillates as the viewer moves.
2015
screenprinted and fused glass
144 x 90 x 1 cm
Questioning perceptions, the work conflates an eyed hawk-moth with a common blue butterfly, creating a hybrid that oscillates as the viewer moves.
2013
Screenprinted, cut and fused glass
130 x 89 x 1 cm
Inspired by lenticular imagery, the grossly enlarged image of a common garden snake appears and disappears as the viewer approaches the work, allowing it to ‘slither’ along the wall.
2013
Screenprinted, cut and fused glass
130 x 89 x 1 cm
Inspired by lenticular imagery, the grossly enlarged image of a common garden snake appears and disappears as the viewer approaches the work, allowing it to ‘slither’ along the wall.
2013
Screenprinted, cut and fused glass
130 x 89 x 1 cm
Inspired by lenticular imagery, the grossly enlarged image of a common garden snake appears and disappears as the viewer approaches the work, allowing it to ‘slither’ along the wall.
2013
Screenprinted, cut and fused glass
170 x 170 x 40 cm
2013
Screenprinted, cut and fused glass
170 x 170 x 40 cm
2007
Screenprinted, cut and fused glass
42 x 30 x 1 cm
Portraits of the artist, his father and grandfather are spliced together into a single image.
2007
Screenprinted, cut and fused glass
42 x 30 x 1 cm
Portraits of the artist, his father and grandfather are spliced together into a single image.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2014
Hotworked glass canes, flameworked on site, metal mounts
Dimensions variable
This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Found glass from a disused Norwegian greenhouse, wood, steel, aluminum
640 x 350 x 280 cm
Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2013
Screenprinted and fabricated glass, handmade Norwegian rope, wood, aluminum
2000 x 122 x 45 cm
Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.
2016
Screenprinted, kilnformed and fabricated glass
450 x 200 x 5 cm
2016
Screenprinted, kilnformed and fabricated glass
450 x 200 x 5 cm
2016
Screenprinted, kilnformed and fabricated glass
450 x 200 x 5 cm
2010
Screenprinted, waterjet cut, fused and polished glass
200 x 200 x 5 cm
in collaboration with Inge Panneels
Public Art Commission for Museum of Liverpool, 2008-11. Large scale glass work fabricated at National Glass Centre. Sponsored by Open Culture, University of Sunderland, Pearsons and Bullseye Glass.
2010
Screenprinted, waterjet cut, fused and polished glass
200 x 200 x 5 cm
in collaboration with Inge Panneels
Public Art Commission for Museum of Liverpool, 2008-11. Large scale glass work fabricated at National Glass Centre. Sponsored by Open Culture, University of Sunderland, Pearsons and Bullseye Glass.
2011-14
Waterjet cut glass, steel, rubber
400 x 130 x 130 cm
Collaboration with Erin Dickson
Based in North East England, the artists share a fascination with cultural and emotional connections to architecture. In Emotional Leak, the artists have produced the physical manifestation of a slowly leaking roof. Inspired by water, the resulting form is a four metre-tall black monolithic sculpture, made from stacked glass layers to resemble a digital gothic architectural model.
2011-14
Waterjet cut glass, steel, rubber
400 x 130 x 130 cm
Collaboration with Erin Dickson
Based in North East England, the artists share a fascination with cultural and emotional connections to architecture. In Emotional Leak, the artists have produced the physical manifestation of a slowly leaking roof. Inspired by water, the resulting form is a four metre-tall black monolithic sculpture, made from stacked glass layers to resemble a digital gothic architectural model.